Artistic Director and Founding Partner, BAILA Society
What is styling?
The term "styling" is used to describe movement that is used to augment or embellish a more basic movement, or more literally, to describe the elements of one's personal "style". Interestingly, while the word "styling" is only occasionally used in this manner in other partner dance genres, such as line dancing and tango, it is a much more familiar term in salsa.
Consider the typical learning path for women in salsa: she begins in a group class consisting of both men and women, where everyone learns the same basic steps. After mastering these basics, she seeks out a "Ladies' Styling" class, where she learns how to use her arms and body movement to make the same steps look more feminine. This perspective helps us understand why traditionally, styling classes have mostly been offered for women only and why the term "styling" is mostly understood as a feminine one.
Recently, there has been a shift in perspective concerning gender stereotypes and how they are expressed on the dance floor, thus, "styling" has taken on its more inclusive definition that is neither feminine nor masculine and can range from body and head movements; arm, leg and foot gesturing; and varied timing. Styling classes are now offered for men as well and can even borrow from other dance genres, such as Franklin Diaz's "salsa flamenco styling" and Frankie Martinez's "Afro-Latin Funk".
This all-encompassing definition of "styling" represents one of the most unique and beautiful characteristics of salsa dance - the freedom of each individual to create one's personal style, driven by the dance's improvisational nature.
Form meets Function
Given salsa's tendency toward variety, I'd like to offer you one such motivation for my own styling method. I use a few basic rules to determine my styling choices depending on whether I am dancing solo ("open shines") or dancing with a partner. In salsa solo work, I believe that there should be no limits to how one interprets and expresses salsa, except for practical spacing constraints (i.e. not colliding with other couples in a crowded club).
In partner work, however, one priority supersedes all others - safety for oneself and one's partner. As you can guess, both dancers use their complementary roles to achieve this. The leader is responsible for executing figures that can be clearly communicated and not dangerously misinterpreted. For the follower, responding to those signals must take precedence over all else. Styling must always be feasible according to each lead, which determines if, when, and how it should be used. In summary, basic styling should be dictated by its function or purpose in the figure. But ladies, do not despair! Functional styling can still be beautiful, sexy, playful, or whatever you want it to be!
My rationale for teaching styling from a functional perspective is that it's practical and provides a simple, easy-to-remember framework for beginners that haven't yet explored their personal styling inclination. I believe that it is important for dancers to incorporate these basic ideas into their following habits so that in the frenzy of following, the movements that ensure safety are already second nature. Remember that being safe and comfortable first allows you to enjoy this incredible dance and to discover your true style!
7 Fundamental Styling Concepts
I have provided some simple examples, below, where each styling element serves two purposes: first, to facilitate the lead while ensuring safe figure execution and second, to look feminine, according to my personal preferences. While reading through these concepts, try to think of ways you might change the styling outcome to reflect your own preferences while still making safety your first priority.
| Styling | Figures | Function | Demonstration Videos |
| (1) Raising the arm(s) overhead | Hammerlocks/wraps behind the back, turns into closed hold, hip leads | To prevent obstructing leads in the hip/shoulder blade area, to prevent striking your partner | Example 1 Example 2 Example 3 Example 4 |
| (2) Keeping the hands up in "neutral position" | Any figure | To increase signal reaction-time, to increase balance, to facilitate contra-body movement | |
| (3) Extending the arm during spin/turn preparations | Stationary or traveling spin/turn preparations | To increase momentum by facilitating a wind-up preparation | Example 1 Example 2 |
| (4) Keeping the elbows at chest-level during spins | Stationary or traveling spins/turns | To increase balance, to facilitate momentum, to prevent obstructing front wrap figures | Example 1 Example 2 |
| (5) Contra-body motion | Any figure | To increase body balance | Example 1 Example 2 |
| (6) Offering the hand with the palm facing down | Any figure | To allow more lead options | Example 1 Example 2 Example 3 |
| (7) Hair combs and body caresses | Any figure | To ensure safety while styling | Example 1 Example 2 Example 3 Example 4 |
Have fun practicing, and see you on the dance floor!
Before co-founding BAILA Society in 2006, Ahtoy began her professional dance training in childhood in Guam and studied classical ballet and modern dance with the Houston and San Francisco Ballet Companies. She became a top International Latin Ballroom competitor in the collegiate circuit while attending Columbia University and performed in over 35 cities worldwide in Europe, Asia, the Caribbean, and the Americas as one of the principal dancers and instructors of salsa company, Santo Rico.
About BAILA Society
BAILA Society (BASo) instructs NY Salsa in New York City and around the world. Teaching absolute beginners and professional dancers, classes include footwork, partnerwork,styling/spinning, performance technique, dance/music theory, Latin culture and history, as well as stretching and conditioning.
With the launch of www.BAILASociety.tv, BASo has pioneered online dance instruction. The BASo Online Dance Academy facilitates the learning process at home and today teaches students from over 47 countries worldwide. Sign up for a free 3-day trial to get access to the most comprehensive instructional video library for New York Salsa "on 2".








